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This sets the effect, now we need to change the routing. When you don’t hear audio coming in the side-chain, raise the music back to its normal level.” To make the audio differences more obvious for this example, I’ve changed the position of the two white dots to tell this effect that: “Whenever you hear audio coming in the mono side-chain, lower the level of the music on this track by 25 dB. In our example, the voice-over track is Mono. NOTE: If you move the right-hand dot to a different level than -20, adjust both white dots at the ends of this line to be level.Īt the top of the Dynamics Processing window, click the square with arrows pointing into it to match the format of the track that holds your narration: Mono, Stereo, or 5.1 Surround. Experiment to get the amount of level reduction you want for your music. For heavier gain reduction, set this to – 35 dB. Grab the white dot in the top right corner and drag it down to around -20 dB.įor lighter gain reduction, set this to -15 dB. This effect is not the most intuitive because key controls are buried. NOTE: Don’t click the green square, that power switch turns the effect off (dark) or on (green). In the Effects Rack, double-click the name “Dynamics Processing” to display the interface. NOTE: While this is the only native effect in Audition that supports side-chaining, any 3rd party VST or Audio Unit effect which supports side-chaining should work as well, so if you use Waves or FabFilter or some other plugin bundles, you can use this with your compressor or EQ of choice.
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Select the music track then, in the Effects Rack, apply Amplification and Compression > Dynamics Processing. Here’s a simple project with narration on the top track, music on the second track.
#ADOBE AUDITION 3.0 TUTORIAL HOW TO#
NOTE: I’m grateful to Durin Gleaves at Adobe for guidance on how to create this effect. The only difference between the first example and the last two are that the last two use buses. Using multiple narration tracks with multiple music/effects tracks.Using a single narration track with multiple music/effects tracks.Using a single narration track with a single music track.
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In this article, I’ll show three ways to create this effect: Setting this up isn’t hard, but it certainly isn’t obvious. Starting with the CS6 release, Adobe Audition supports this with a process called “Side-Chain Ducking.” Effectively, side-chaining allows you to use the signal from one track to trigger an effect on another track.
#ADOBE AUDITION 3.0 TUTORIAL SOFTWARE#
While we can use keyframes and envelopes to adjust music levels as actors speak, it would be REALLY cool to have the software automatically lower music levels whenever some is speaking. This article grew out of an email from Paula Slater who was asking about ways to automatically adjust levels between tracks.